“New media and new technologies – these not only require critical analysis but may be treated as occasions for exploring and testing assumptions embedded in social science and everyday understandings of the world.” (Moser & Law 2001, p. 12)
The quote is taken from an article by Ingunn Moser and John Law, in which they discuss the ‘Othering’ of disabled people. This is an enactment of personhood, the authors argue, that fits a grander modernist narrative of the romantic vs. the rational subject. Moser and Law call this a ‘trap’, “because it romanticises that Other [in this case, the disabled] by telling stories which celebrate Otherness, difference and passivity by telling of the desirability of silence, nature, immanence and the feminine. The body and emotions are lauded against the cognitive, the rational, and the verbal (…).” (p. 12) Obviously, these dynamics are also common elsewhere. I was reminded of it when I came across this video, in which artist Bradley Pitts and scientist Raymond van Ee discuss their mutual interest in Pitt’s Ellipsoidal Introspective Optic (EIO). The EIO is an optical device, a mirror that reflects the image of the one eye into the other and vice versa. In this case, both Pitts and Van Ee are heavily involved in this ‘Othering’ game, by drawing and re-affirming boundaries between Pitt’s artistic (individual, creative, subjective) and Van Ee’s scientific research (collective, quantifiable, objective). Ironically, while their co-operation was anticipated as an opportunity to build bridges between art and science, the two protagonists in the video inadvertently end up reifying the boundaries between their ‘two cultures’.