Databasing the arts

On Thursday 12 and Friday 13 November ’09, a conference will be held in London that seems very interesting for our project. It is organised by CHArt (Computers and the History of Art; Centre for Computing in the Humanities, King’s College London). This year’s topic is Object and Identity in a Digital Age. We hope to be presenting preliminary results from fieldwork at the Rijksakademie. In the paper, we analyze how artists and employees at the Rijksakademie invest themselves in practices of representation and documentation. We are especially interested in the entanglement of images and art works with the institute’s networked image database. Using recent STS literature on relational ontology (Marres, 2008; Mol, 2002; Stirling, 2008), we will argue that these entities are best understood as temporary outcomes of inter-related modes of engagement. In addition, we focus on how the visual documentation relates to the complex experience of making/seeing art objects. When and how are art works recognized as such, do they get documented, databased? What purposes does the database have for different users/producers (i.e. resident artists, employees, visitors, curators, researchers)? How does the networked context in which the images function as digital representations, shape the status of art objects themselves? Is this status fixed or fluid? And how do these documentation practices relate to other electronic settings and networks in which the images might circulate (artist’s website, Flickr, sites galleries, etc.)? We expect that our ethnographic study of interactions with the Rijksakademie database will provide insight into the ways in which the images are produced, treated, and valued as things that can be acted upon in mediated, distributed contexts.

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One response to “Databasing the arts

  1. Pingback: Constructing the Flickr site (2) « Network Realism

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